I have started examining the relationships in my life and
the complexities, the differences, the similarities, the overlaps, the
distances, and the utter awe of them. There are corkscrew curls, linear paths,
and hairpin turns creating carefully crossed angles a web of connected
communities which humans so badly desire and need.
The relationship-web which scares me the most is the one
which I tend to weave myself, and it is the labyrinth of my relationship with
my insecurities. It’s where the spirals become dizzying, the lines are
deceitful, and the angles suddenly sharp. It’s where my insecurities are
throwing only shadows but I am catching punches:
I’m not smart enough,
so I’d better decorate myself with degrees and accolades, success and high
grades. I’m not funny enough, so I’d better blanket that behind a barrage of
jokes and an abundance of broad smiles. I’m lazy, so I’d better paint the
portrait of constant work and a fully penciled-in schedule.
And so these decorations, these barrages, these portraits- they
all act as Matryoshka dolls, as shells safekeeping the empty, dark shadows of
an insecurity. They also carry an unforgiving weight and an unfortunate fate.
Their very existence to hide my shadow-insecurities creates the opposing
effect; the livelihood of the insecurity is brought into the light and quickly
identified by the very shell which encompasses it.
Perhaps this is a truth for all of us. We present our
Matryoska dolls to each other, hoping no one will sense the hallowness residing
within. We can package our insecurities so well that others have no idea that
the gift we provide is nothing but a falsified representation of what seems to
be.
Here’s the thing about those dolls, though. We coat the
outside with those accolades, those smiles, and those penciled-in schedules. We
spread a veneer so thick that we consider the insecurities hidden, and to the
outside world, they may seem nonexistent. The veneer brings comfort. The veneer
brings courage. It coats the vulnerability. We trick our self into thinking the
veneer is strong and shatterproof, showing not a single chink and conceding to
not a single crack. We bravely and
foolishly play cards that our hands do not hold; it’s that veneer that
convinces us. We don’t see the chinks, don’t acknowledge the cracks, and we ignore
the small starts of detrimental endings.
But maybe when that veneer cracks and peels away, and maybe
when the shell which attempts to disguise our insecurity is without the
protection of falsehood, the Matryoshka doll starts to crack and chink and chip
and peel. And through these small starts, there are inspirational beginnings.
We begin to fill the shell and eliminate the hollow.
The filling up part is difficult; those hollow insides
resist. It is by far easier to put more veneer on the cracks and chinks, to
work from the outside rather than from the inside. And confronting shadows of
insecurities can mean admitting that what once stood so permanently is in fact
an illusion. Suddenly, the solidified definition of what ‘was’ evaporates, and
we are left empty-handed and blindsided. We must admit that we have fooled
ourselves for years. But, oh! We relied so heavily on those doll shells, and
their shelter was vast and comforting, always inviting. Now, if we are
confronting our insecurities, what will be our cover? How will we prove we are
smart enough without the degrees and letters behind our names? How will we know
we are funny enough without the confirming laughter of others? How will we know
we are busy enough without a day which provides too few minutes? How will we
know we are enough? When confronted with these heavy questions, we must fill
ourselves. We must fill ourselves with just being enough.